Baird Colour Televisor |
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Red / Green
Can
produce any colour between Red and Green, including Orange and Yellow.
| BBC Eye | ||||||
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| Right Click and
"Save Target As..." to save to Colour wav file to Hard Disk |
Orange / Bluegreen
| BBC Test Card | ||||||
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| Right Click and
"Save Target As..." to save to Colour wav file to Hard Disk |
The Orange / Bluegreen system works in
exactly the same way as Red / Green, but it can
produce a more realistic range of colours, including Fleshtones and White.
The Orange
channel
was produced by mixing 67% Red with 33% Green.
The Bluegreen
channel
was produced by mixing 33% Green with 67% Blue.
The image above was produced by mixing the 2 images back together
using Paint Shop Pro, and gives a genuine impression of the range
of colour that can be achieved. The actual 32 x 48 pixel images
were used, then anti-aliased to double size.
R G B for Multitrack Soundcards
Seperate wav
files for Red, Green, Blue.
Copy and paste into a Multitrack Audio Editor such as Cool Edit
Pro or Cubasis.
| Channel 1 | Channel 2 | Channel 3 |
| Red LED | Green LED | Blue LED |
This system produces Full Colour but requires a Multitrack soundcard with 3 independent audio outputs.
R G B for Stereo Soundcards
Bluetone system 14.7 kHz
| Left Channel | Right Channel | 14.7kHz Channel |
| Red LED | Green LED | Blue LED |
This system produces Full Colour from an ordinary Stereo source, but requires a frequency filter to seperate the Blue signal.
14.7 kHz was chosen
because it is 1/3rd of 44.1 kHz, the CD audio sampling frequency.
For these wav files, the Picture Frequency is 12.53 frames per
second,
and the Line Frequency is 400.9 Hz. There are 110 audio samples
per scan line.
By comparison the other wav files use 32 kHz audio sampling, the
Picture Frequency is 12.5 frames per second, and the Line
Frequency is 400 Hz. There are 80 audio samples per scan line.
The Blue signal should be derived from the
stereo difference via a high pass filter at about 8 kHz.
The Red
and Green signals should be mixed together
(or "mixed to mono") at frequencies above 8 kHz to
eliminate the 14.7 kHz carrier while preserving full bandwidth.
Click here for a sketch of a simple circuit to drive Red, Green, Blue LEDs directly from the sound card,
using capacitors to accomplish partial seperation of the signals.
The circuit is NOT guaranteed to work, but should be treated as
the basis for experiment.
Click here for a block diagram of a system which would seperate
the Red, Green, Blue signals properly.
General Tips for
successful results with a 2 Colour or 3 Colour Televisor:
You will need several LEDs of each colour, with different LED
colours distributed as evenly as possible behind the diffuser.
With RGB in particular it is essential to make
extensive use of variable resistors to set the d.c. offset for
each bank of LEDs independently. For a simple constuction it is
easiest to use seperate bias batteries for each colour, for
example 3 x 2AA battery holders with a 100 ohm variable resistor
connected in series with the output of each. These are easily
obtained from Maplin in the UK ( www.maplin.co.uk ) or Radio Shack in the US ( www.radioshack.com ), as are the LEDs.
Baird System with NTSC
Colour
32 Line NTSC. Colour Subcarrier Frequency 14.7 kHz
These files are included for anyone who would like to experiment with them. Decoding them would require construction of a complete NTSC decoder, or modification of a standard NTSC decoder chip to work with the much lower subcarrier frequency, much lower bandwidth, and much longer burst gate.
32 line NTSC wav files are just as easy to produce as any of the others. The process of converting bmp to wav lends itself easily to the job because colour bitmap files are "dot sequential" RGB, with 1 Byte Red followed by 1 Byte Green then 1 Byte Blue and so on. "Dot Sequential" colour is a close relative of NTSC, and is infact how the NTSC system originated. Simply applying the same bmp to wav conversion process to a 24 bit Colour Bitmap, instead of the seperate 8 bit Monochrome Bitmaps used elsewhere, generates an NTSC type composite colour waveform.
These audio picture files have 36 samples per scan line (36 Red, 36 Green, 36 Blue, 108 Total). The Picture Frequency is 12.76 Hz and the Line Frequency is 408.3 Hz. The audio sampling frequency is 44.1 kHz. I have included a "Colour Burst" which is the Yellow line in the "line blanking" period at the bottom of each picture. These audio files are Mono, since all the Colour information is contained in a single monochrome-compatible composite signal, as the case with standard 525 line NTSC.
Alternative methods of
decoding for the Baird System with NTSC Colour:
Electronic Switching, and Striped Filter.
Electronic Switching:
This would work by switching the composite colour signal
electronically to each of 3 seperate outputs in turn, in
synchronism with the 14.7 kHz Yellow line reference, thereby
"demultiplexing" the 3 colour signals. Or if you had
burnt the files to a CD, you might "cheat" by taking a
44.1 kHz switching reference from inside your CD player.
Colour Stripe Filter:
This would work by using White LEDs and placing the filter in
front of the disc. The filter would consist of almost horizontal
stripes of Red,
Green, Blue, there being 36 groups in all. The stripes
would not actually be horizontal, but lined up along radii from
the centre of the disc (see picture). It would require EXTREMELY
accurate phase synchonisation of the motor to within less than
1/10 th of a degree per revolution over long periods. The filter
could be produced by simply printing out the picture of the
filter here, onto inkjet printer transparency paper. Print size
should be adjusted to match the size of the picture scanned by
the Nipkow disc:
Right Hand Side Height = Distance between the 2 outermost holes
Left Hand Side Height = Distance between the 2 innermost holes
Width = Difference between the radius from the centre to the
outermost hole, and the radius from the centre to the innermost
hole
If it was ever possible to synchronise the disc accurately enough
in the first place, minute inaccuracies in the shape and size of
the filter would cause "purity errors" whereby even if
the correct hue was obtained at the bottom of the picture it
would be wrong at the top and vice versa. It may be a bit of a
stretch to expect a striped filter to work with a Nipkow Disk,
but they do work very well where the stability of the picture
scan can be relied upon, i.e. LCD Pocket TVs, and LCD PC
Monitors. Both of these use the same principle of a Black &
White picture with stripes, viewed through a precision located
colour stripe filter.
A Note on PAL:
It would be possible to synthesize a PAL signal through bmp to
wav conversion, but it would be a very elaborate process. The key
is to reverse the RGB sequence to become BGR on alternate scan lines. This is the
"dot sequential" equivalent of PAL. It could be done by
mirroring alternate lines of the bitmap in Paint Shop or
Photoshop, then after converting to wav, carefully selecting the
same alternate lines in Cool Edit and making them play backwards.
It would not really be worthwhile for this kind of project, but
it's nice to know that it could be done!